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| Colour Index | Pb 29, Pv 23, Pw 6 |
| Drying Speed | Average |
| Lightfastness | Excellent |
| Tint Power | Very Opaque / High |
| Oil Content | Linseed Oil, Low |
| Toxic | No |
| Conforms To | ASTM D-4236 |
Adorable for any landscape painter Pale Violet adds vibrancy to any sky. Those confusing violet shadows we all see in clouds, which are hard to express, are now made easily achievable with this colour.
Pale Violet is a wonderful addition to my range of colours. It is made from three highly stable, highly reliable and highly lightfast pigments. Although these pigments are available in pure pigment form in my range artists always tell me they can’t achieve quite the same vibrancy when mixed together in their studio.
For the portrait artist my Pale Violet also allows them to achieve interesting shadow combinations, for example as a complimentary to create vibrancy in greys. Pale Violet has an obvious place for still life, room interior and modern artists. Enjoy!
Series 2, PR 101
Series 2, PO 73
Series 2, PR 101
Series 2, PW 6, PW 4, PY 42
Series 2, PB 15.3, PG7, PY 150
Series 3, PR 83
Series 3, PR 122 Quinacridone
Series 3, PV 16
Series 3, PR 122, PB 29, PV 23
Series 3, PV 19
Series 4, PY 35
Series 4, PY 35
Series 4, PR 149
Series 4, Py 129
Series 5, PO 20
Series 5, PR 108
Series 5, PR 108
Series 5, PB 28
Series 5, PB 36
Series 5, PG 50
Series 6, PB 36
Series 6, PY 41
Series 3, PW 1 with Walnut Oil
Series 3, PW 1 with Linseed Oil
Series 3, PW 1 with Linseed Oil
Series 3, PW 1 with Walnut Oil
Series 5, Type 1 Type 1, Lead Stannate
Series 5, Type 1 Type 1, Lead Stannate
Series 1, PY 3
Series 4, PY 35