Painting Varnish Brush/Spray 

Golden MSA Spray Varnish MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed, or used sequentially, to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish. The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. 

Grumbacher Oil & Acrylic Picture Varnish A final varnish and protective coating for dry oil and acrylic paintings available in gloss or matte. Protects oil and acrylic paintings from dirt, moisture and scuffing. Non-yellowing, flexible, and quick-drying. It is crystal clear when applied. Can be easily removed with Pure Gum Spirits of Turpentine, Grumtine™, or Odorless Paint Thinner.

Grumbacher Adhesive Spray can be used as a repositionable or permanent. Appropriate for porous and non-porous materials including paper, wood, metal and cloth. Permanent bond is created for porous materials by spraying surface and adhering porous material immediately before adhesive dries. Permanent bond is created for non-porous materials by spraying surface and letting adhesive dry for one minute before bonding. For all temporary bonds, spray surface and allow adhesive to dry for at least five minutes before making bond with porous and non-porous materials. Archival when used as directed.

Grumbacher Dammar Retouch Varnish use during intermediate stages of development in an oil painting to even out gloss of unfinished works, or revive sunken in or dry areas to aid in accurate color comparison for further painting. Can also be used to protect paintings before final varnishing. Transparent, quick-drying, clear, and glossy. Must dry completely before over-painting. When the surface of the painting is dry to the touch, one very light coat of retouch may be applied to it for protection against excessive dust. Use only in thin layers. If this coat produces a gloss, you have applied too much varnish. Not intended as a final varnish.

Grumbacher Dammar Varnish A colorless, genuine Damar Varnish for use as a final protective coating on thoroughly dry oil paintings. It brings out the beauty of colors with an even soft gloss or matte finish. Protects oil paintings from dirt, moisture and scuffing. Transparent, quick-drying and permanent. When properly used it will not 'bloom', or cloud with age. Designed to provide a uniformly fine mist. Easily removed with Pure Gum Spirits of Turpentine or Grumtine™. Not soluble in mineral spirits, petroleum solvents or any odorless paint thinners.

Grumbacher Final Fixative Workable fixative for dry media artwork such as charcoal, pastels, and pencil drawings. Can be used on paper, photographs, printed material, and ceramics. Non-yellowing, colorless and flexible. Fast-drying. Can be drawn over when dry. Provides a gloss or matte finish when dry.

Grumbacher Workable Fixative Workable fixative and surface preparation for works on paper, acetate, foil and glass. Allows non-porous surfaces to accept water-based media without beading up. Also fixed lower levels of water-based media to enable over-painting or layering without lifting. Non-glossy. Not intended as a final fixative.

Kuelox Fixative Colourless, Waterproof, Adhesive and not easy to turm yellow. Protect the surface of the pieces effectively and keep the original colour and texture. Suitable for Softpastel, Oil Pastel, Pencil, Colour pencil, Pen, Chalk, Crayon Watercolour Drawing.

Bob Ross Finishing Varnish This clear, glossy, quick-drying spray varnish enhances color and provides temporary protection until the oil painting is dry enough for a permanent varnish.