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The Old Master set contains:
The most fulfilling experience as an artist is painting like an Old Master. Why not use an Old Master set comprised of the genuine pigments the Old Masters used? I love this set—it has some of my most beloved pigments, including Genuine Chinese Vermilion, Genuine Lapis Lazuli, Genuine Naples Yellow, and of course, the ever-gorgeous Rose Madder, made from the root of the Rubia Tinctorum plant.
Series 2, PR 101
Series 2, PO 73
Series 2, PR 101
Series 2, PW 6, PW 4, PY 42
Series 2, PB 15.3, PG7, PY 150
Series 3, PR 83
Series 3, PR 122 Quinacridone
Series 3, PV 16
Series 3, PR 122, PB 29, PV 23
Series 3, PV 19
Series 4, PY 35
Series 4, PY 35
Series 4, PR 149
Series 4, Py 129
Series 5, PO 20
Series 5, PR 108
Series 5, PR 108
Series 5, PB 28
Series 5, PB 36
Series 5, PG 50
Series 6, PB 36
Series 6, PY 41
Series 3, PW 1 with Walnut Oil
Series 3, PW 1 with Linseed Oil
Series 3, PW 1 with Linseed Oil
Series 3, PW 1 with Walnut Oil
Series 5, Type 1 Type 1, Lead Stannate
Series 5, Type 1 Type 1, Lead Stannate
Series 1, PY 3
Series 4, PY 35